The Poet as Vanguard
Pablo Neruda and the Politics of the Global South
Bibliographic Data
| ID | 12322843 |
|---|---|
| Authors | Jorge Heine (0000-0001-6765-4912, Wilfrid Laurier University, corresponding author) |
| Year | 2013 |
| Volume | 69 |
| Issue | 3 |
| Pages | 283-298 |
| Publication date | 2013-08-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | India Quarterly A Journal of International Affairs (JOURNAL) |
| Journal identifiers | ISSN: 0974-9284 • E-ISSN: 0975-2684 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/0974928413489469 |
| OpenAlex | W2057446751 |
| Language | EN |
| Citations received | 1 |
Pablo Neruda has been described by some as the most widely read poet ever. His output was prodigious and diverse. He was also very much a man and a poet of his time, that of the first three-fourths of the ‘short’ twentieth century, a time very different from our own. That raises the question: Is it possible to split the poet from his politics? A standard recommendation of literary critics is to stick to Neruda’s ‘non-political’ work and forget the rest. Yet, Neruda himself insisted that not only his poetry but also his personal life and his politics formed an indivisible whole. At a time when the rise of Asia and South America is changing the global landscape, it is especially important to come to terms with the central perspective that inspired Neruda’s oeuvre: his identification with the common man and with the South; his anti-colonial spirit (honed during his Asian sojourn) and his extraordinary grasp of what José Martí referred as ‘nuestra América’. This article explores how Neruda provides us with a vocabulary and a grammar that allows us to look at the emerging new world of the twenty-first century with fresh eyes
Ancient history · Art · Colonialism · Literature · Poetry · Political science · Politics · Vanguard · Cultural and Social Studies in Latin America · History · Law
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |