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Affirming our memories

Experiences and realities of feminist poets through the radio

Bibliographic Data

ID12330315
AuthorsNatalia Molebatsi (0000-0002-5546-5927, corresponding author)
Year2019
Volume33
Issue2
Pages84-94
Publication date2019-04-03
Open AccessNo
TypeARTICLE
VenueAgenda (JOURNAL)
Journal identifiersISSN: 1013-0950 • E-ISSN: 2158-978X
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10130950.2019.1618638
OpenAlexW2956036759
LanguageEN
Citations received3
References cited7

“For women, then, poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action.”Audre Lorde (1984:37)Using Audre Lorde’s (1984) arguments about poetry as a “vital necessity of our existence” that moves us to “tangible action” and Toni Morrison's (1995) concept of ‘re-memory’, this article explores feminist poetry as a form of feminist media activism. The article examines SAfm’s Poetry in the Air (PitA) programme which aired between 2012 and 2016 and the ways in which it helped to share the realities of feminist poets to a wider audience. On this radio programme the presenter and featured poets demonstrated the use of poetry as a tool that attempts to affirm women and the community of feminists in South Africa.Through the theoretical frame of feminist media theory and Black feminist thought it is highlighted how SAfm’s PitA contributed to dispelling the dangerous stereotype that feminists hate men and children. In this perspective piece the author highlights how feminist poetry is about the eradication of misogyny and heteropatriarchy in order to build thriving communities that benefit all who live in them, and are especially safe spaces for women and girls and feminised people of all genders. By exploring how feminist writers present their poetry on the radio programme it is concluded that SAfm’s PitA operated as a community builder concerned with the disruption of a hegemonic discourse that erases mainly the narratives of Black and Queer women. Viewed in this way, poetry becomes agency for the unheard, and places the unheard in public fora. Poetry thus can be used in the promotion of feminist activism and increased visibility for the fight for women's rights. Building on the author’s childhood reflections about radio as a consciousness-raising tool, this perspective piece goes on to demonstrate how radio continues to be a site for struggle, expression of political interests, mobilising collective action, and hailing political actors – in this case, feminist political actors

Aesthetics · Art · Feminism · Feminist movement · Literature · Poetry · Social science · Sociology · Thriving · Gender Studies · Gender, Feminism, and Media · Literacy, Media, and Education · Media, Gender, and Advertising

  • A Media-Specific Analysis of Candlelight Poetry on the Radio. The World’s Longest-running Radio Poetry Show

    Open Access•Kila van der Starre•Journal of Radio & Audio Media•2024

  • Comparative analysis of black queer feminist isiXhosa and English poetry

    Open Access•Tsosheletso Chidi, Nompumelelo Zondi et al.•Tydskrif vir letterkunde•2024

  • And their voices were everywhere

    Natalia Molebatsi•Third World Thematics A TWQ Journal•2023

  • Demarginalizing the Intersection of Race and Sex

    Kimberlé Crenshaw, Kimberlé W Crenshaw•Feminist Legal Theory•2018

  • Black Feminist Thought

    Patricia Hill Collins•Black Feminist Thought•2013

  • Feminism Is for Everybody

    Bell Hooks•Feminism Is for Everybody•2014

  • Feminist theories and media studies

    H Leslie Steeves•Critical Studies in Mass…•1987

  • American Speech in Radio Poetry

    Milton A Kaplan•American Speech•1944

Citations per year1
Citation span2023 - 2024 (2)
Highly citedNo

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