The writing is on the wall
Affect and conscientisation in the queer & trans Art-iculations Talk-back Station
Bibliographic Data
| ID | 12330833 |
|---|---|
| Authors | Leigh Blanckenberg (corresponding author), Haley Mcewen (0000-0002-6572-1429) |
| Year | 2014 |
| Volume | 28 |
| Issue | 4 |
| Pages | 61-74 |
| Publication date | 2014-10-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Agenda (JOURNAL) |
| Journal identifiers | ISSN: 1013-0950 • E-ISSN: 2158-978X |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10130950.2014.968011 |
| OpenAlex | W1891646828 |
| Language | EN |
| Citations received | 3 |
| References cited | 14 |
queer & trans Art-iculations: Collaborative Art for Social Change, as an exhibition, opened up a public space for critical engagement with the idea of the gender binary and the lives of people who do not conform to heteropatriarchal social norms and expectations. Coordinated by the Wits Centre for Diversity Studies (WiCDS) and hosted by the Wits Art Museum (WAM), a primary agenda was to exhibit the work of two self-proclaimed art activists, Zanele Muholi and Gabrielle Le Roux, in order to create awareness around the discrimination of lesbian, gay, bi-sexual, transgender and intersex (LGBTI) communities. Art activism being the goal, it was necessary to provide a platform whereby audiences could contemplate and then respond to the information provided by Muholi and Le Roux. An audience Talk-back Station, or Comments Wall, created by WAM Education Curator Leigh Blanckenberg and WiCDS Research Coordinator Haley McEwen, where visitors could respond to prompting questions, ask their own questions, or respond in creative ways was constructed in the gallery space to complement the exhibition and provide space for visitor dialogue with the joint-exhibition. The intention of the wall was for multiple views, opinions and experiences to be expressed and heard. This Article will examine visitor engagement with the Comments Wall, and through an evaluation of the responses, will consider how, if at all, the exhibition impacted on visitors in terms of its ability to promote critical awareness of gender and sexuality as social justice issues
Aesthetics · Art · Exhibition · Human sexuality · Lesbian · Media studies · Queer · Silence · Sociology · Transgender · Visitor pattern · Visual arts · African Sexualities and LGBTQ+ Issues · Cinema and Media Studies · Gender Studies · Law in Society and Culture
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Non-Representational Theory
Feminism without Borders
The Cultural Politics of Emotion
The Promise of Happiness
Zanele Muholi's Intimate Archive
History after Apartheid
Critical Diversity Literacy
Touching Feeling
Gender within Gender
Waking Nightmares-on David Marriott
Queer knowledge and the politics of the gaze in contemporary South African photography
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,3 |
| Citation span | 2016 - 2024 (9) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |