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Paradigms of participation in the National Council for Culture and Arts

Challenges on representation, recognition, access to creation and reception in post-dictatorship Chilean public cultural policy

Bibliographic Data

ID12340596
AuthorsSimón Palominos Mandiola (0000-0001-6771-2799, Alberto Hurtado University, corresponding author)
Year2016
Volume24
Issue2
Pages164-185
Publication date2016-03-09
Open AccessNo
TypeARTICLE
VenueInternational Journal of Cultural Policy (JOURNAL)
Journal identifiersISSN: 1028-6632 • E-ISSN: 1477-2833
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10286632.2016.1156099
OpenAlexW2382673256
LanguageEN
Citations received2
References cited12

The National Council for Culture and Arts (NCCA) is the public agency responsible for the implementation of cultural policies in Chile. It was created in 2003 as part of a group of public organisms designed to promote democracy in post-dictatorship Chile, and its objectives include the encouragement of citizen participation in the national culture. This paper aims to call into question the scope and limits of citizen participation in the Chilean cultural field, through a systematisation of paradigms implicitly developed by the NCCA. Those paradigms include participation on the political level, the creation of symbols, recognition of cultural manifestations and access to reception and symbolic appropriation. It identifies challenges of these paradigms regarding representation, recognition, access to creation and reception of cultural manifestations

Cultural policy · Democracy · Dictatorship · Media studies · Political science · Politics · Public relations · Representation (politics · Sociology · The arts · Cultural Industries and Urban Development · Latin American social science · Law · Nationalism and Cultural Identity · Public Administration

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Citations per year0.33
Citation span2020 - 2022 (3)
Highly citedNo

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