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Cool, funky and creative? The creative class and preferences for leisure and culture

Bibliographic Data

ID12340773
AuthorsTrine Bille (0000-0002-0139-166X, Copenhagen Business School, corresponding author)
Year2010
Volume16
Issue4
Pages466-496
Publication date2010-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInternational Journal of Cultural Policy (JOURNAL)
Journal identifiersISSN: 1028-6632 • E-ISSN: 1477-2833
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10286630903302741
OpenAlexW2067419033
LanguageEN
Citations received20
References cited6

It is a core element in Richard Florida’s popular theory on growth to be able to attract the creative class to a geographical area. But Florida is not very specific on which kind of amenities are important for attracting and keeping the creative class. The purpose of this paper is to analyse which kind of cultural activities the creative class is actually using. Which kind of cultural activities does the creative class use more intensively than other groups in society? This paper presents new empirical results on preferences for leisure and culture. Richard Florida’s theory can be, and has been, criticised – especially on the issue of causality. The analyses presented in this paper show that being part of the creative class has an independent and significant role in explaining preferences for leisure and culture

Aesthetics · Art · Causality (physics · Class (philosophy · Core (optical fiber · Creative City · Creative class · Creativity · Economic geography · Economics · Element (criminal law · Epistemology · Political science · Social science · Sociology · Computer Science · Cultural Industries and Urban Development · Law · Psychology · Regional Economics and Spatial Analysis · Social and Cultural Dynamics · Social Psychology

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  • The Rise and Fall of the Concept of The Experience Economy in the Local Economic Development of Denmark

    L Carlos Freire-Gibb•European Planning Studies•2011

  • Do “creative” and “non-creative” workers exhibit similar preferences for urban amenities? An exploratory case study of Omaha, Nebraska

    Open Access•Bradley Bereitschaft•Journal of Urbanism: International…•2017

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    Open Access•Victoria Ateca-Amestoy, Caroline Castiglione•Journal of Cultural Economics•2023

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    Open Access•Darja Reuschke, Jed Long et al.•Environment and Planning B Urban…•2021

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    Open Access•Makoto Ikegaya, Keith G Debbage et al.•City Culture and Society•2023

  • Location and Residential Concentration of the “Creative Class” in Riga, Latvia

    Open Access•Maris Berzins, Sindija Balode et al.•Social Inclusion•2026

  • El giro creativo en el trabajo contemporáneo

    Open Access•C P Cobos, Constanza Tobar Tapia•Revista CUHSO•2021

  • The Scandinavian approach to the experience economy – does it make sense

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    Quirijn Lennert van den Hoogen•International Journal of Cultural…•2013

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    Open Access•Bradley Bereitschaft•Journal of Transport Geography•2019

  • Social Class and Basic Psychological Need Satisfaction During Leisure and Paid Work

    Gordon J Walker•Journal of Leisure Research•2016

  • Spatial–temporal dynamics and determinants of creative class concentration—A study on urban agglomerations in China

    Open Access•Dan Cui, Ye Hei et al.•Population Space and Place•2022

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    Open Access•Andrew Eisenlohr, Elizabeth Currid‐halkett•Journal of Economic Geography•2025

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    Aase Marthe Johansen Horrigmo•Regional & Federal Studies•2012

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    Open Access•Craig Thomas, Craig J Thomas•Cities•2023

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    Open Access•Eric Joseph Van Holm•Cities•2014

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    Open Access•H You, Chenmeng Bie•Habitat International•2017

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    Open Access•Can-Seng Ooi, Birgit Stöber•Culture Unbound Journal of…•2011

  • The Rise of the Creative Class

    Richard Florida•The Rise of the Creative Class•2014

  • The Rise of the Creative City

    Darrin Bayliss•European Planning Studies•2007

  • Cities and the Creative Class

    Richard Florida•Cities and the Creative Class•2005

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Unique citing works20
Citations per year1.33
Citation span2011 - 2026 (16)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 20

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