Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

From Snake Pits to Ballrooms

Class, race and early rock’n’roll in Perth

Bibliographic Data

ID12341802
AuthorsAdam Trainer (0000-0001-6097-696X, , ,, corresponding author)
Year2017
Volume31
Issue2
Pages216-229
Publication date2017-01-03
Open AccessNo
TypeARTICLE
VenueContinuum (JOURNAL)
Journal identifiersISSN: 1030-4312 • E-ISSN: 1469-3666
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10304312.2016.1265097
OpenAlexW2569077412
LanguageEN
Citations received2
References cited22

In the late 1950s, rock’n’roll as both a musical genre and a pervasive youth cultural form spread from the U.S. to emerge in various regionalized forms throughout most Western societies. From its roots in working-class culture to its eventual commercial embrace by middle-class audiences, rock’n’roll developed in Perth through a set of specific circumstances linked to both racial and class-based factors, distinctive to the city as a small, isolated and predominantly suburban location. Whilst the majority of historical analysis on early rock’n’roll focuses on Australia’s east coast, this paper attempts to counter that by drawing from interviews conducted with a number of individuals who were instrumental in the emergence of rock’n’roll in Perth. As such this essay delivers a social history of the style as it developed in that city, placing it at the beginning of a fundamental shift in popular music as a cultural phenomenon, and underlining the importance that a number of specific social and cultural factors including class and race played in the development of a locally specific rock’n’roll culture

Acknowledgement · Art · Class consciousness · Musical · Political science · Politics · Popular music · Race (biology · Rock music · Sociology · Visual arts · Youth culture · Cultural Industries and Urban Development · Gender Studies · Gender, Feminism, and Media · History · Law · Music History and Culture

  • Archaeology, Heritage and Performance in the Perth Popular Music Scene

    Sean Winter, B’geella Romano•Journal of Contemporary Archaeology•2019

  • Well-Dressed” in Suits of Australian Wool

    Open Access•Melissa Bellanta, Lorinda Cramer•Fashion Theory•2023

  • From White Australia to Woomera

    Open Access•James Jupp•From White Australia to Woomera•2007

  • The ‘Bring out a Briton’ Campaign of 1957 and British Migration to Australia in the 1950s

    Open Access•Andrew Hassam•History Compass•2007

  • Sex pistols, be‐bop, boogie and youth cultures of the 1950s and 1960s

    J Bessant•Journal of Australian Studies•1993

  • Bodgies and Widgies — youth cultures in the 1950s∗

    J Stratton•Journal of Australian Studies•1984

  • So tough'? Masculinity and rock'n'roll culture in post‐war Australia

    Raymond Evans•Journal of Australian Studies•1998

  • To Try to Ruin’

    Raymond Evans•Australian Historical Studies•1997

  • The scenes perspective and the Australian context

    Andy Bennett, J Stratton et al.•Continuum•2008

  • All Rock and Rhythm and Jazz’

    J Stratton•Continuum•2007

  • In Perfect Harmony

    Bethany Klein•Popular Music & Society•2008

  • Katzman's “Rock Around the Clock

    Open Access•R Serge Denisoff, William D Romanowski et al.•The Journal of Popular Culture•1990

  • The Politics of Dancing

    Open Access•Michael Sturma•The Journal of Popular Culture•1992

  • Deadly sounds, deadly places

    Margaret Gummow•Musicology Australia•2004

  • Perth punk and the construction of urbanity in a suburban city

    Open Access•Adam Trainer•Popular Music•2016

  • Nothing happens here

    Open Access•J Stratton, Adam Trainer•Thesis Eleven•2016

  • Disposable icons

    Open Access•Lawrence Zion•Popular Music•1989

Citations per year0.29
Citation span2019 - 2023 (5)
Highly citedNo

Tools

Open DOISci-HubOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae