IPod use
An urban aesthetics of sonic ubiquity
Bibliographic Data
| ID | 12342179 |
|---|---|
| Authors | Michael Bull (0009-0001-7214-9846, ,, corresponding author) |
| Year | 2013 |
| Volume | 27 |
| Issue | 4 |
| Pages | 495-504 |
| Publication date | 2013-07-22 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Continuum (JOURNAL) |
| Journal identifiers | ISSN: 1030-4312 • E-ISSN: 1469-3666 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10304312.2013.803300 |
| OpenAlex | W2021883216 |
| Language | EN |
| Citations received | 3 |
| References cited | 18 |
This paper explores the creation of an urban sonic aesthetic through a critical analysis of Apple iPod use. Based on original ethnographic material, the chapter explores the differing ways in which urban space is mediated through communication technologies like the iPod. It divides the experience of urban space into ‘Fordist’ and ‘Hyper-post-Fordist’ aesthetics and strategies. It situates these aesthetic ‘moments’ within a critical analysis informed by the work of a range of urban and critical theorists
Aesthetics · Art · Ethnography · Fordism · Geography · Sociology · Urban landscape · Urban space · Work (physics · Anthropology · Computer Science · Engineering · Music History and Culture · Posthumanist Ethics and Activism · Spatial and Cultural Studies
| Citations per year | 0.27 |
|---|---|
| Citation span | 2015 - 2019 (5) |
| Highly cited | No |