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Hannibal and the paradox of disgust

Dados Bibliográficos

ID12342789
AutoresA N García-Martínez (0000-0002-4017-5791, Universidad de Navarra, autor correspondente)
Ano2019
Volume33
Fascículo5
Páginas554-564
Data de publicação2019-07-14
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoContinuum (JOURNAL)
Identificadores do periódicoISSN: 1030-4312 • E-ISSN: 1469-3666
EditoraTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10304312.2019.1641180
OpenAlexW2959903790
IdiomaEN
Citações recebidas1
Referências citadas16

Hannibal (NBC 2013–15) is a bloody and violent television series that also displays an embellished and self-consciously expressive visual style. This article explores the disparity between aesthetic pleasure and repugnance, an issue that scholars working in aesthetic theory have dubbed the ‘paradox of disgust’. It begins by focusing on the specific qualities of disgust among the so-called ‘negative’ emotions in art, and develops this analysis through a close reading of significant scenes in Hannibal. Drawing on Strohl’s ‘hedonic ambivalence’, the article argues that Hannibal intensifies its aesthetic value precisely by visually boosting the paradox of disgust, maximizing both aversion and pleasure simultaneously. However, the article also shows that Hannibal attempts to circumvent the paradox of disgust by prompting an ‘aestheticist turn’, embodied in the experience of protagonist Will Graham

Aesthetics · Ambivalence · Anger · Art · Cognitive psychology · Disgust · Embodied cognition · Epistemology · Pleasure · Regret · Taste · Computer Science · Ethics, Aesthetics, and Art · Humor Studies and Applications · Philosophy · Psychology · Psychology of Moral and Emotional Judgment · Social Psychology

  • Interacción entre propiedades estéticas y valor cognitivo

    Open Access•Alberto Javier Tapia Hermida, Mónica Barrientos Bueno et al.•Arte individuo y sociedad•2021

  • Mimesis as make-believe

    Kendall L Walton•Mimesis as make-believe•1990

  • Hannibal

    Open Access•Angela Ndalianis•Journal of Visual Culture•2015

  • Merging with the Darkness

    Open Access•Richard H Logsdon•The Journal of American Culture•2017

  • The art of tasting corpses

    Astrid Schwegler-Castañer•Continuum•2018

  • The Primary Emotions

    David Irons•The Philosophical Review•1897

  • The philosophy of horror, or, Paradoxes of the heart

    Noël Carroll•The philosophy of horror, or,…•1990

  • Disgust and Aesthetics

    Open Access•Carolyn Korsmeyer•Philosophy Compass•2012

Obras citantes distintas1
Citações por ano0,2
Intervalo de citações2021 - 2021 (1)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 1
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