The Importance of Leitmotifs and Distance in the Biography of Bernard Smith
Bibliographic Data
| ID | 12344283 |
|---|---|
| Authors | Sheridan Palmer (0000-0003-4737-3253, corresponding author) |
| Year | 2012 |
| Volume | 43 |
| Issue | 1 |
| Pages | 28-44 |
| Publication date | 2012-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Australian Historical Studies (JOURNAL) |
| Journal identifiers | ISSN: 1031-461X • E-ISSN: 1940-5049 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/1031461x.2011.647825 |
| OpenAlex | W2088261955 |
| Language | EN |
| Citations received | 1 |
The potency between text and image is an integral part of visual and cultural disciplines. In this article the value of the image or leitmotifs is explored as a methodological tool in the genre of biography. In the case of the eminent Australian art historian Bernard Smith, the image has always had the potential to reflect the traditions and ‘spirits of the past’ as well as the realities and interdisciplinary contours of the present, but it is argued that leitmotifs and the image, be it the black swan, Minerva's owl or that of Antipodean distance can also tap into the sui generis of the individual, signalling the intricate shadows and larger ideas central to this major Australian intellectual
Art · Art history · Biography · Literature · Value (mathematics · Australian History and Society · Computer Science · History · Philosophy, History, and Historiography · World Wars: History, Literature, and Impact
| Citations per year | 0.09 |
|---|---|
| Citation span | 2015 - 2015 (1) |
| Highly cited | No |