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Does it matter who authorises the discourse

Michel de Certeau's Heterologies and black and white Australian literary criticism

Bibliographic Data

ID12347134
AuthorsJo Robertson, J A Robertson (The University of Queensland, corresponding author)
Year1996
Volume6
Issue2
Pages247-262
Publication date1996-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSocial Semiotics (JOURNAL)
Journal identifiersISSN: 1035-0330 • E-ISSN: 1470-1219
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10350339609384475
OpenAlexW2007672967
LanguageEN
References cited3

This paper examines the relevance of the ‘particularity of the place where discourse is produced’ in two literary histories to discover if de Certeau's distinction, in Heterologies, between historiography and psychoanalysis, helps to determine if and how a work written by a white writer who writes about Aboriginal literature differs from the work of a black writer who does the same thing. It concludes that the status of the author is not a matter of indifference, neither is it simply a matter of personal experience. It ushers in the need to differentiate subject positions in relation to incremental moments of the past and in relation to constructs of the ‘other’

Art · Criticism · Epistemology · Historiography · Literary criticism · Literature · Relation (database · Relevance (law · Sociology · Subject (documents · Subject matter · White (mutation · African history and culture studies · History · Law · Philosophy · Postcolonial and Cultural Literary Studies · Short Stories in Global Literature

  • Archaeology of Knowledge

    Michel Foucault•Archaeology of Knowledge•2013

  • Heterologies

    Michel De Certeau•Heterologies•1986

  • Black Words, White Page

    Ray Willbanks, Adam Shoemaker•World Literature Today•1990

Citation velocityhistorical
Highly citedNo

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