Bad Jokes, Bad English, Good Copy

Sukiyaki Western Django , or How the West Was Won

Dados Bibliográficos

ID12349378
AutoresOlivia Khoo (0000-0001-8383-8877, Australian Regenerative Medicine Institute, autor correspondente)
Ano2013
Volume37
Fascículo1
Páginas80-95
Data de publicação2013-03-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoAsian Studies Review (JOURNAL)
Identificadores do periódicoISSN: 1035-7823 • E-ISSN: 1467-8403
EditoraRoutledge (PUBLISHER • GB)
DOI10.1080/10357823.2012.760529
OpenAlexW1964181188
IdiomaEN
Citações recebidas1
Referências citadas19

Miike Takashi’s Sukiyaki Western Django is a contemporary remake of Sergio Corbucci’s Spaghetti Western Django. In this updated Japanese version all of the characters speak English and there is a notable cameo appearance by Quentin Tarantino that references the continuous series of filmic exchanges that have taken place between Asia and the West, most notably in the context of action cinema. Rather than conceiving of the various movements and exchanges between the two films (and their predecessors) in terms of the search for an “original” or for the conceptualisation of good or bad copies, this paper focuses on the question of genre and what it can bring to a discussion of cross-cultural value in cinema. In particular, the paper explores what the recurring turn to Westerns in Asia reveals about the search for new frontiers of value and aesthetics in global cinema. From the serious to the self-conscious to the downright “bad” (and bad-ass) Western, Sukiyaki Western Django is a notable recent example of how the “Asian Western” both localises and globalises a peculiarly American genre, and at once de-values and re-values the “original”

Action (physics · Archaeology · Art · Art history · Context (archaeology · Literature · Movie theater · Value (mathematics · Asian Culture and Media Studies · Computer Science · History · Hong Kong and Taiwan Politics · Japanese History and Culture