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Countrefete Cheere”

Kitsch, Taste, and The Prioress’s Tale

Bibliographic Data

ID12358396
AuthorsGina Ann Dominick (New York University, corresponding author)
Year2019
Volume31
Issue1
Pages1-21
Publication date2019-01-02
Open AccessNo
TypeARTICLE
VenueExemplaria (JOURNAL)
Journal identifiersISSN: 1041-2573 • E-ISSN: 1753-3074
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10412573.2019.1555245
OpenAlexW2915863918
LanguageEN
Citations received1
References cited23

With her particular and prim manners, extreme sentimentality, religious fanaticism, and highly stylized poetics, Chaucer’s Prioress exemplifies many of the aesthetic, ideological, and contextual ambivalences of kitsch. In this article, I enable the critical language of kitsch from theorist Theodor W. Adorno’s Aesthetic Theory (published in 1970) and the paradox presented in the Nazis’ “Anti-Kitsch Law” to present a new framework for understanding the complexities of Chaucer’s The Prioress’s Tale. Kitsch, I argue, disrupts rather than sustains the text’s aesthetic appeal to religious sensibility and communal affirmation. In the process, the Tale raises aesthetic and ethical questions regarding the ideology of forms that aestheticize or “harmonize” ugliness, especially death

Aesthetics · Art · Fanaticism · Ideology · Kitsch · Literature · Poetics · Poetry · Political science · Politics · Taste · Ethics, Aesthetics, and Art · Law · Philosophy · Philosophy, Ethics, and Existentialism · Psychology · Visual Culture and Art Theory

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  • The Alterity and Modernity of Medieval Literature

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Citations per year0.14
Citation span2019 - 2019 (1)
Highly citedNo

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