When the audience becomes the performer
A response to Last Words
Bibliographic Data
| ID | 12369458 |
|---|---|
| Authors | Nicole M Costantini (0000-0001-6814-0403, Liberal Arts, Atlanta, GA, USA, corresponding author) |
| Year | 2023 |
| Volume | 44 |
| Issue | 2 |
| Pages | 138-141 |
| Publication date | 2023-05-11 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Text and Performance Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462937.2023.2209626 |
| OpenAlex | W4376130821 |
| Language | EN |
| References cited | 2 |
This essay is a response to Kirt A. Shineman’s Last Words, staged at the NCA Annual Convention in November 2021. The author uses this essay to reflect upon the potential impacts of experimental, audience-activated performance work and the challenges of adapting immersive performance for conference spaces
Aesthetics · Art · Audience response · Convention · Media studies · Performing arts · Social science · Sociology · Telecommunications · Visual arts · Art Education and Development · Artistic and Creative Research · Computer Science · History · Theatre and Performance Studies
| Highly cited | No |
|---|