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Riddles of the sphinx

Filmic puzzle or feminist password

Bibliographic Data

ID12369809
AuthorsLynne Greeley (University of Maryland, College Park, corresponding author)
Year1990
Volume10
Issue3
Pages218-226
Publication date1990-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueText and Performance Quarterly (JOURNAL)
Journal identifiersISSN: 1046-2937 • E-ISSN: 1479-5760
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10462939009365972
OpenAlexW1966804603
LanguageEN
References cited9

Feminist film critic Laura Mulvey challenged film theory with her 1975 analysis of classical narrative cinema entitled “Visual Pleasure and Narrative Cinema.” In 1977, Mulvey, in collaboration with Peter Wollen, created a film that personified her theory as it challenged the psychoanalytic theories of Jacques Lacan. The film, Riddles of the Sphinx, is a journey for one woman out of the non‐symbolic world that she shares with her child into the symbolic world of the dominant discourse. In the film, Mulvey and Wollen undo the Look of the classical cinematic apparatus that renders woman object as they redo the use of language to create a new filmic text. Is this new discourse another puzzle, or does it provide a password to understanding women's relationship to the dominant order? The essay considers the possibilities

Aesthetics · Art · Art history · Film theory · Linguistics · Literature · Monster · Movie theater · Narrative · Narratology · Object (grammar · Pleasure · Psychoanalysis · Psychoanalytic theory · Sphinx · Undo · Visual arts · Art, Politics, and Modernism · Cinema and Media Studies · Computer Science · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism

  • Riddles of the Sphinx

    Open Access•Martin Gardner•Riddles of the Sphinx and Other…•1987

  • Avant‐garde feminist cinema

    E Ann Kaplan•Quarterly Review of Film Studies•1979

  • The political aesthetics of the feminist documentary film

    Julia Lesage•Quarterly Review of Film Studies•1978

  • Recent developments in feminist criticism

    Christine Gledhill•Quarterly Review of Film Studies•1978

  • The return of women to seventies films

    Joan Mellen•Quarterly Review of Film Studies•1978

  • "Seminar on "The Purloined Letter

    Jacques Lacan, Jeffrey Mehlman•Yale French Studies•1972

  • Visual Pleasure and Narrative Cinema

    Laura Mulvey•Screen•1975

  • Riddles of the Sphinx

    Laura Mulvey, P Wollen•Screen•1977

  • The Field of Language in Film

    Peter Wollen•October•1981

Citation velocityhistorical
Highly citedNo

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