Modest trickster
A response to Last Words
Bibliographic Data
| ID | 12370143 |
|---|---|
| Authors | Amy K Kilgard (San Francisco State University, corresponding author) |
| Year | 2023 |
| Volume | 44 |
| Issue | 2 |
| Pages | 142-144 |
| Publication date | 2023-07-28 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Text and Performance Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462937.2023.2239888 |
| OpenAlex | W4385343073 |
| Language | EN |
This essay explores the proposition of the relational aesthetics of audience participation in Kirt Shineman's performance Last Words. I describe my own participation in the performance as a modest trickster and question the possibility of moving beyond this modest intervention to truly test the limits of audience interactivity
Aesthetics · Art · Audience response · Epistemology · Interactivity · Intervention (counseling · Literature · Media studies · Multimedia · Proposition · Sociology · Test (biology · Trickster · Visual arts · Computer Science · Philosophy · Psychology · Theatre and Performance Studies
| Highly cited | No |
|---|