Kind of Blue (Music for the Muse)
Re/playing Autoethnographic Stories through Music
Bibliographic Data
| ID | 12370152 |
|---|---|
| Authors | Deanna Shoemaker (0000-0003-1232-4283, Monmouth College, corresponding author), Deanna B Shoemaker |
| Year | 2014 |
| Volume | 34 |
| Issue | 3 |
| Pages | 321-325 |
| Publication date | 2014-03-03 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Text and Performance Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462937.2014.885559 |
| OpenAlex | W2054470455 |
| Language | EN |
| References cited | 3 |
Chris McRae's Miles Away from “The Cool” beautifully traverses complex mappings of place, time, memory, music, and the politics of representation. Performing powerful distillations of research and nuanced readings of Miles Davis's autobiography and music while weaving his own and Davis's life stories together, McRae urges us to “consider the spaces between the destinations, the stories, the music. You've got to listen.” Listening to these absences, I unearth my own musical citations by re/membering my lost uncle who first introduced me to life-changing music, and who taught me to listen closely, love performance, and engage deeply with artists and audiences
Active listening · Aesthetics · Art · Art history · Biography · John Cage · Literature · Musical · Performance art · Politics · Popular music · Representation (politics · Sociology · Visual arts · Communication · Music History and Culture · Musicology and Musical Analysis · Theater, Performance, and Music History
| Citation velocity | historical |
|---|---|
| Highly cited | No |