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Performative neutrality and rape culture in Naomi Iizuka’s Good Kids

Datos Bibliográficos

ID12370163
AutoresLeland G Spencer (0000-0002-7719-3221, Miami University, autor de correspondencia)
Año2020
Volumen40
Número3
Páginas211-230
Fecha de publicación2020-07-02
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaText and Performance Quarterly (JOURNAL)
Identificadores de la revistaISSN: 1046-2937 • E-ISSN: 1479-5760
EditorialTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10462937.2020.1807044
OpenAlexW3057913634
IdiomaEN
Citas recibidas6
Referencias citadas41

I offer a critical reading of Naomi Iizuka’s play Good Kids, considering the script, the performance of the play I watched, and the talkback with the cast. I argue that Good Kids enacts performative neutrality about sexual assault. By “performative neutrality,” I mean not a performance of neutrality, but a productive construction of neutrality whereby the play forecloses side-taking. I conclude that performative neutrality buttresses rape culture by exacerbating ambiguity myths, he said/she said, and the miscommunication model of rape

Aesthetics · Ambiguity · Art · Linguistics · Literature · Mythology · Neutrality · Performative utterance · Political science · Sociology · Art Education and Development · Law · Philosophy · Rhetoric and Communication Studies · Theatre and Performance Studies

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Obras citantes distintas6
Citas por año1,2
Intervalo de citas2021 - 2026 (6)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 6
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