Transporting cultural sites/scripts
Performing surfing, re-examining he’e nalu , and shaping/riding an alaia
Bibliographic Data
| ID | 12370283 |
|---|---|
| Authors | Hunter H Fine (Cal Poly Humboldt, corresponding author) |
| Year | 2021 |
| Volume | 41 |
| Issue | 3-4 |
| Pages | 283-299 |
| Publication date | 2021-10-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Text and Performance Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462937.2022.2041710 |
| OpenAlex | W4214519025 |
| Language | EN |
| References cited | 10 |
The practice of riding waves develops on the Hawaiian Islands. The practice remains marked by an ethos that often actively searches out alternative ways to ride waves, particularly the unearthing of past practices. I argue that this desire to return to a real and imagined past stems from a longing to enter into dialog with the complicated narratives of colonial appropriation and the continued obfuscation of an Indigenous practice. Through a performance lens, I examine surfing and its precursor, riding waves or he'e nalu, by fabricating, shaping, and riding an ancient Hawaiian alaia
Aesthetics · Appropriation · Art · Colonialism · Dialog box · Epistemology · Ethos · Indigenous · Literature · Media studies · Narrative · Political science · Scripting language · Sociology · World Wide Web · Computer Science · Digital Games and Media · History · Law · Spatial and Cultural Studies
| Highly cited | No |
|---|