Evocation of and enactment in Apna Ghar
Performing ethnographic self-reflexivity
Bibliographic Data
| ID | 12370366 |
|---|---|
| Authors | K E Supriya (University of Wisconsin–Milwaukee, corresponding author) |
| Year | 2001 |
| Volume | 21 |
| Issue | 4 |
| Pages | 225-246 |
| Publication date | 2001-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Text and Performance Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 1046-2937 • E-ISSN: 1479-5760 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462930128128 |
| OpenAlex | W2088283025 |
| Language | EN |
| Citations received | 3 |
To date, scholars have tended to construe ethnographic self-reflexivity primarily as an epistemological resolution of issues related to knowledge of self and other rather than as a performance in its own right. This essay shifts this focus and answers two questions: What does it mean to perform ethnographic self-reflexivity? What are the crucial principles underlying such a performance? The author's fieldwork experience at a domestic violence shelter for Asian women is used to explore and illustrate principles that ought to guide self-reflexive ethnographers' performative enactments and performative evocations
Aesthetics · Art · Epistemology · Ethnography · Evocation · Focus (optics · Media studies · Performative utterance · Reflexivity · Sociology · Anthropological Studies and Insights · Anthropology · Gender Studies · Philosophy · South Asian Studies and Conflicts · Southeast Asian Sociopolitical Studies
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 2005 - 2018 (14) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |