Representations of birds in Minoan art
Dados Bibliográficos
| ID | 12371417 |
|---|---|
| Autores | Marco Masseti (0000-0002-6186-6487, University of Florence, autor correspondente) |
| Ano | 1997 |
| Volume | 7 |
| Fascículo | 4 |
| Páginas | 354-363 |
| Data de publicação | 1997-07-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | International Journal of Osteoarchaeology (JOURNAL) |
| Identificadores do periódico | ISSN: 1047-482X • E-ISSN: 1099-1212 |
| Editora | Wiley (PUBLISHER • GB) |
| DOI | 10.1002/(sici)1099-1212(199707/08)7:4<354::aid-oa387>3.0.co;2-r |
| OpenAlex | W2005945505 |
| Idioma | EN |
| Citações recebidas | 7 |
| Referências citadas | 7 |
During the second millennium BC, the Minoan civilization was established in the southern Aegean Sea. In Minoan art, especially on Crete, birds occupied a prominent place, and were often represented in wall-paintings and craft objects. Species still occurring on the island, such as cormorants, mallards, cuckoos, owls, hoopoes, and swallows, as well as exotic taxa such as partridges and possible domestic forms such as pigeons, were the subject of artistic inspiration, and they were depicted not only in purely cult contexts, but also in the backgrounds of naturalistic landscapes. The aim of this paper is to reconsider the identification of some of the birds depicted and to discuss them in the context of the environmental conditions and osteological finds from the southern Aegean islands in Minoan times. © 1997 John Wiley & Sons, Ltd
Ancient history · Archaeology · Art · Civilization · Context (archaeology · Cult · Geography · Osteology · Painting · Visual arts · Ancient Near East History · History
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| Obras citantes distintas | 7 |
|---|---|
| Citações por ano | 0,78 |
| Intervalo de citações | 2017 - 2023 (7) |
| Velocidade de citação | historical |
| Altamente citado | Não |
| Tipos de citação | Neutras: 5 |