Visual Regimes of Mobility Photographic Exhibitions on Refugees during the Financial Crisis in Greece
Bibliographic Data
| ID | 12409692 |
|---|---|
| Authors | P Topali (0000-0002-0442-8413, corresponding author) |
| Year | 2020 |
| Volume | 36 |
| Issue | 2 |
| Pages | 319-342 |
| Publication date | 2020-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Visual Anthropology Review (JOURNAL) |
| Journal identifiers | ISSN: 1058-7187 • E-ISSN: 1548-7458 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/var.12222 |
| OpenAlex | W3118649560 |
| Language | EN |
| Citations received | 3 |
| References cited | 27 |
This article explores how photographic images of refugees in modern Greece condition national imagination and construct new ethnopolitical moral fantasies. It also examines how repetitive images of suffering in photographic exhibitions become constitutive of a new regime of mobility in the country during the financial and refugee crisis. I argue that refugees’ images articulate kinship and gender norms, national archetypes, ethnic hierarchies, and ideas of mobility and rootedness. They bind together northern European landscapes and resistant Mediterranean subjects and weave new and old visualities into a single mobility aesthetic that reinvents national memory and initiates new political moralities
Archetype · Art · Art history · Construct (python library · Economics · Ethnic group · Exhibition · Financial crisis · Keynesian economics · Literature · Political science · Politics · Refugee · Refugee crisis · Sociology · Gender Studies · History · Law · Memory, Trauma, and Commemoration · Migration, Refugees, and Integration · Turkey's Politics and Society
Chapter 7. Friends of the Heart
The Parallax View
Vision, Race, and Modernity
The Interpretation of Cultures
Humanitarian Photography
Depicting the pain of others
Tradition and Modernity Revisited
Moving images
A horrific photo of a drowned Syrian child”
Proxy Brigands and Tourists
The ‘Greek Crisis’ through the Cinematic and Photographic Lens
The Refugee Convention At Fifty
Humanitarianism and Representations of the Refugee
(Un)seeing dead refugee bodies
Snap of the Whip/Crossroads of Shame
Introduction—Uncertain Visions
The Absent Presence
Regimes of Mobility Across the Globe
One hundred years of suffering? "Humanitarian crisis photography" and self-representation in the Democratic Republic of the Congo
("Un)hooding" a Rebellion
Speechless Emissaries
The Poetics of Manhood
Being 'there
Infuriated with the Infuriated
Children through the Looking Glass
On De-Pathologizing Resistance
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 2022 - 2023 (2) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |