Under the Shadow of the Wall
Bibliographic Data
| ID | 12409707 |
|---|---|
| Authors | Taylor R Genovese (0000-0003-0102-6467, corresponding author) |
| Year | 2022 |
| Volume | 38 |
| Issue | 2 |
| Pages | 280-297 |
| Publication date | 2022-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Visual Anthropology Review (JOURNAL) |
| Journal identifiers | ISSN: 1058-7187 • E-ISSN: 1548-7458 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/var.12280 |
| OpenAlex | W4317395234 |
| Language | EN |
| References cited | 5 |
This photo essay focuses on the landscapes of the Sonoran Desert—and the imperialist project of a border wall between the U.S. and Mexico—as a way of investigating the manner in which something as generic as a wall takes on particular and discrete politico‐affective forms. This short provocation explores the ways that violent and distasteful objects create, and subsequently come to characterize grotesque spectacles
Aesthetics · Art · Desert (philosophy · Epistemology · Provocation test · Psychoanalysis · Shadow (psychology · Sociology · Visual arts · Anthropological Studies and Insights · Geographies of human-animal interactions · History · Latin American and Latino Studies · Philosophy · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |