Manufacturing Vision
Kino–Eye, The Man With a Movie Camera, And the Perceptual Reconstruction of Social Identity
Bibliographic Data
| ID | 12410065 |
|---|---|
| Authors | D Tomas (0000-0003-3287-9366, School of Visual Arts, corresponding author) |
| Year | 1992 |
| Volume | 8 |
| Issue | 2 |
| Pages | 27-38 |
| Publication date | 1992-09-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Visual Anthropology Review (JOURNAL) |
| Journal identifiers | ISSN: 1058-7187 • E-ISSN: 1548-7458 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1525/var.1992.8.2.27 |
| OpenAlex | W2058502789 |
| Language | EN |
| Citations received | 2 |
Aesthetics · Art · Art history · Citation · Identity (music · Library science · Perception · The arts · Visual arts · Computer Science · Museums and Cultural Heritage · Photography and Visual Culture · Psychology · Visual Culture and Art Theory
| Citations per year | 0.13 |
|---|---|
| Citation span | 2011 - 2012 (2) |
| Highly cited | No |