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Changing the Rules of Engagement

How Rabbit‐Proof Fence and Whale Rider Forge a New Dimension of Ethnographic Media

Bibliographic Data

ID12410096
AuthorsSabra G Thorner (0000-0001-7595-3314, Institute for New Media, corresponding author)
Year2007
Volume23
Issue2
Pages137-150
Publication date2007-09-01
Open AccessYes
TypeARTICLE
VenueVisual Anthropology Review (JOURNAL)
Journal identifiersISSN: 1058-7187 • E-ISSN: 1548-7458
PublisherWiley (PUBLISHER • GB)
DOI10.1525/var.2007.23.2.137
OpenAlexW2112440354
LanguageEN
Citations received1
References cited9

Full‐length, independent feature films Rabbit‐Proof Fence and Whale Rider, both released in 2002, chronicle the journeys of young indigenous female protagonists as they struggle against seemingly insurmountable odds to meet their destinies. The narrative and technical components of these films share striking similarities as they construct stories that are profoundly local, yet widely resonant. This article argues for the consideration of films as both social process and cultural product, deeply embedded in dynamic social worlds. These films signal the emergence of a new model of film production in which directors foreground their responsibilities as producers of knowledge and embrace the intersubjectivity of contemporary indigeneities. At the same time, these films and their directors are at the forefront of shifting understandings in circulation, necessarily in dialogue with proliferating examples of new indigenous media, and capitalizing upon new technologies in ways that innovatively include viewers in debates about cross‐cultural representation and the role of film(making) in social life. In this newly engaged model of production and circulation, the social relationships forged between filmmakers, actors, viewing publics, and many others, take on unprecedented significance in constructing indigeneities in specific national contexts

Aesthetics · Art · Ethnography · Fence (mathematics · Indigenous · Literature · Media studies · Narrative · Political science · Politics · Representation (politics · Sociology · Anthropological Studies and Insights · Anthropology · Engineering · Indigenous Health, Education, and Rights · Law

  • Documenting, Dramatizing, and Representing C hina's Porcelain World in Broken Pots Broken Dreams

    Open Access•Maris Boyd Gillette, Maris Gillette•Visual Anthropology Review•2014

  • The Indigenous Public Sphere

    John Hartley, Alan Mckee•The indigenous public sphere•2000

  • The camera and man

    Jeffrey Geiger•Third Text•1998

  • Film Review Essay

    Open Access•Faye Ginsburg•American Anthropologist•1996

  • The Parallax Effect

    Open Access•Faye Ginsburg•Visual Anthropology Review•1995

  • On the Vicissitudes of the Self

    Open Access•Jean Rouch•Studies in the Anthropology of…•1978

  • Indigenous Media

    Open Access•Faye Ginsburg•Cultural Anthropology•1991

  • Excuse Me, Everything Is Not All Right

    Open Access•Nancy Christine Lutkehaus•Cultural Anthropology•1989

  • A History of Aboriginal Futures

    Open Access•Faye Ginsburg, F Myers•Critique of Anthropology•2006

Citations per year0.08
Citation span2014 - 2014 (1)
Highly citedNo
Open DOISci-Hub
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