Alice Meynell and the Politics of an Image
“The Climate of Smoke”
Bibliographic Data
| ID | 12410831 |
|---|---|
| Authors | Isobel Armstrong (0000-0001-6874-8080, Birkbeck, University of London, corresponding author) |
| Year | 2023 |
| Volume | 51 |
| Issue | 4 |
| Pages | 605-611 |
| Publication date | 2023-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Victorian Literature and Culture (JOURNAL) |
| Journal identifiers | ISSN: 1060-1503 • E-ISSN: 1470-1553 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1060150323000578 |
| OpenAlex | W4390879507 |
| Language | EN |
The collaboration of William Hyde and Alice Meynell in London Impressions (1898) led to Hyde's photogravure image, “Utilitarian London,” which is a direct critique of Turner's Rain, Steam and Speed (1844), and to a companion essay by Meynell, “The Climate of Smoke,” that is an ecological poetics exploring the deep harms of pollution
Alice (programming language · Art · Art history · Geography · Image (mathematics · Literature · Meteorology · Poetics · Poetry · Political science · Politics · Smoke · Computer Science · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · Historical Art and Culture Studies · Law · Artificial Intelligence · Ecology · Pollution
| Highly cited | No |
|---|