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The Cooking Animal

Economic Man at the Great Exhibition

Bibliographic Data

ID12410886
AuthorsPaul Young (0000-0002-5564-9486, University of Exeter, corresponding author)
Year2008
Volume36
Issue2
Pages569-586
Publication date2008-06-12
Open AccessYes
TypeARTICLE
VenueVictorian Literature and Culture (JOURNAL)
Journal identifiersISSN: 1060-1503 • E-ISSN: 1470-1553
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1060150308080340
OpenAlexW2054628528
LanguageEN
References cited11

When called upon to host a banquet celebrating the forthcoming Great Exhibition of 1851, the world's first display of international industry, the Mayor of York turned to the period's most renowned chef for the catering. The Frenchman Alexis Soyer, who had recently resigned from his position at the Reform Club in Pall Mall, had made a name for himself in Britain through a combination of extravagant culinary endeavours and popular household cookery books. The banquet at York was an important occasion; joining Prince Albert, Queen Victoria's Consort, was a long list of national luminaries from Victorian high society and the political world. Soyer did not disappoint the Mayor, or his guests. The Times commented that amongst the vast array of international cuisines on offer was featured “one dish, to which turtles, ortolans, and other rich denizens of land and sea had contributed, [which] cost not less than 100 l .” The paper noted with satisfaction that the feast was consumed before an “emblematical device representing Britannia in her conventional attire receiving the industrial products of Europe, Asia, Africa, and America” (“The Banquet at York” 5). That this emblem provided the backdrop to such cosmopolitan fare was salient: it spoke to the way in which the production and consumption of food would become a crucial motif in the positive representation of globalisation as it was understood at the Exhibition; it also highlighted the important role that the Victorian metropolis would fulfil in the realisation of this new world order. Certainly, the internationalist bent of Soyer's cooking seemed entirely appropriate to the luminaries gathered at the York banquet, and it was no doubt with the French chef's culinary scope in their minds as well as their stomachs that the Exhibition's organisers invited Soyer to submit a tender to provide refreshments at the display itself (Soyer 197)

Art · Art history · Banquet · Club · Economic history · Emblem · Exhibition · Globalization · Media studies · Political science · Politics · Sociology · Visual arts · Historical Art and Culture Studies · History · Law · Scottish History and National Identity · Travel Writing and Literature

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Highly citedNo

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