Hopkins's Notebooks and Microsocial Form
Bibliographic Data
| ID | 12410945 |
|---|---|
| Authors | Simon Reader (0000-0002-2676-774X, corresponding author) |
| Year | 2020 |
| Volume | 48 |
| Issue | 2 |
| Pages | 455-469 |
| Publication date | 2020-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Victorian Literature and Culture (JOURNAL) |
| Journal identifiers | ISSN: 1060-1503 • E-ISSN: 1470-1553 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1060150319000160 |
| OpenAlex | W3026981747 |
| Language | EN |
| References cited | 10 |
This article proposes a way of linking textual form and the social world. The forms in question are the notebooks of Gerard Manley Hopkins, specifically those he kept between 1866 and 1875, a period that begins with his conversion to Catholicism, initiation into Jesuit training, and rejection of poetry. These five notebooks (A1–A5) have struck some readers as intensely asocial . Their creator was famously resistant to circulation and readership, on one hand (“Please not to read,” he inscribes on the inside front cover of the first), and more concerned with natural than human phenomena, on the other. I show instead that the notebooks project networks of relation between humans, objects, and the natural world. My hope is that what follows will refresh some of the ways we think about and navigate online social forms in the twenty-first century
Aesthetics · Archaeology · Art · Audience measurement · Circulation (fluid dynamics · Cover (algebra · Front (military · Geography · Literature · Natural (archaeology · Period (music · Poetry · Political science · Relation (database · Computer Science · Digital Humanities and Scholarship · Folklore, Mythology, and Literature Studies · History · Law · Literature: history, themes, analysis
| Citation velocity | historical |
|---|---|
| Highly cited | No |