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On the Track of Things

Sensation and Modernity in Mary Elizabeth Braddon's Lady Audley's Secret

Bibliographic Data

ID12411522
AuthorsEva Badowska (Fordham University, corresponding author)
Year2009
Volume37
Issue1
Pages157-175
Publication date2009-02-05
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueVictorian Literature and Culture (JOURNAL)
Journal identifiersISSN: 1060-1503 • E-ISSN: 1470-1553
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s106015030909010x
OpenAlexW2134210664
LanguageEN
Citations received3
References cited12

Nineteenth-century reviewers, though they disagreed about nearly all aspects of the sensation phenomenon, were united in diagnosing the sensation novel as a symptom of modernity. In a review of novels by Mary Elizabeth Braddon and Wilkie Collins, Henry James noted that their books were typically set in “Modern England – the England of to-day's newspaper” and featured protagonists who were “English [gentlewomen] of the current year, familiar with the use of the railway and the telegraph” (593). Like Bram Stoker's Dracula some four decades later, Braddon's Lady Audley's Secret (1862) represented “nineteenth century up-to-date with a vengeance” (Stoker 67; ch. 3). But Braddon's novel was also “a sign of the times” because it betokened the rising awareness of modernity's tendency toward rapid obsoleteness (“Our Female Sensation Novelists” 485). The critical hostility directed against it at the moment of its greatest success in the 1860s also had the effect of exposing the seeds of transience that constitute the paradoxical essence of novelty

Art · Art history · Dracula · Literature · Media studies · Modernity · Newspaper · Novelty · Sensation · Sociology · Theology · Contemporary Literature and Criticism · Crime and Detective Fiction Studies · Gothic Literature and Media Analysis · History · Philosophy · Psychology

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Unique citing works3
Citations per year0,18
Citation span2009 - 2018 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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