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Dracula ’s Apologetics of Progress

Bibliographic Data

ID12411583
AuthorsLucas Kwong (New York City College of Technology, corresponding author)
Year2016
Volume44
Issue1
Pages111-129
Publication date2016-01-28
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueVictorian Literature and Culture (JOURNAL)
Journal identifiersISSN: 1060-1503 • E-ISSN: 1470-1553
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1060150315000455
OpenAlexW2293354777
LanguageEN
Citations received1
References cited19

Religion in Dracula studies has often looked a little like the Un-Dead Lucy, a ghastly simulacrum of living faith. Indeed, readings of the novel frequently depend on a suspicious approach to the novel's professions of piety, one that regards them as a mask for more fundamental concerns: the heroes profess religious concern, but what they really want is to neutralize the New Woman, or racial degeneration, or sexual perversion. Under these conditions, Christianity provides, at best, a potent discourse through which the characters can manage these coded crises. When religion does enter the conversation, critics tend to read the text for clues to Stoker's personal position on the theological controversies of his day: the Catholic-Protestant divide in Ireland, the place of High Church ritualism in Anglican worship, the merit of the doctrine of transubstantiation. As a result, we are left with a Dracula that functions as an elaborate code book, encrypting what Stoker secretly (or not-so-secretly) believed

Art · Doctrine · Dracula · Faith · Literature · Piety · Protestantism · Theology · Worship · Gothic Literature and Media Analysis · Joseph Conrad and Literature · Literature: history, themes, analysis · Philosophy · Religious studies

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Unique citing works1
Citations per year0,17
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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