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Victorians Live

Introduction

Bibliographic Data

ID12411670
AuthorsHerbert Sussman (corresponding author)
Year2006
Volume34
Issue1
Pages333-333
Publication date2006-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueVictorian Literature and Culture (JOURNAL)
Journal identifiersISSN: 1060-1503 • E-ISSN: 1470-1553
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1060150306051187
OpenAlexW2138614676
LanguageEN

For this issue, Victorians Live takes a global perspective on the afterlife of the Victorians. Using a fine nineteenth-century phrase, Margaret Harris writes of “Victorian Vestiges” in Australia. Carole Silver describes the mix of concealment and display in South Africa's dealing with its Victorian heritage. My essay on a recent American exhibition of the work of Morris & Co. shows the influence of this representative Victorian in California, as filtered through the collection of Henry Huntington for his Library in southern California and with additions for this show by contemporary California collectors. That Morris continues to live into our time is vividly shown in the venues of his global exhibitions, in Australia in a converted nineteenth-century powerhouse, at Yale in the modernist masterpiece of the twentieth-century architect, Louis Kahn

Afterlife · Art · Art history · Exhibition · Literature · Performance art · Visual arts · Australian History and Society · History

Citation velocityhistorical
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae