Introduction Fin-De-Siècle Renaissance
Diversity, History, Modernity
Bibliographic Data
| ID | 12411678 |
|---|---|
| Authors | Marion Thain (University of Birmingham, corresponding author), Ana Parejo Vadillo (University of Exeter) |
| Year | 2006 |
| Volume | 34 |
| Issue | 2 |
| Pages | 389-403 |
| Publication date | 2006-08-25 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Victorian Literature and Culture (JOURNAL) |
| Journal identifiers | ISSN: 1060-1503 • E-ISSN: 1470-1553 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1060150306051230 |
| OpenAlex | W2014720354 |
| Language | EN |
| References cited | 15 |
Professor Goodwin has been most good to me, tells me what books to read, argues my “modernisms” of thought away as much as he can. —A. Mary F. Robinson (1879) The command of words and felicity of phrase are as remarkable as the decorative, yet unconventional, qualities of form and colour, so unusual a merit in the handling of motives chosen from the antique. Throughout, the technique is large and modern. —Graham R. Tomson's review of Amy Levy's A Minor Poet (1891) Her verse is ... modern, clever. —Review of Graham R. Tomson's A Summer Night (1891) ... it is for us, England's living and yet unspent poets to make all things new. We are for the morning – the nineteenth century thinks it has no poets – nothing to lose – verily it has nothing: for we are not of it – we shake the dust of our feet from it, and pass on into the twentieth century. —Michael Field, Journal (1892) I don't know what I am or what I shall become. The Modern . —Michael Field, Journal (1894)
Antique · Art · Art history · Cliché · Field (mathematics · Literature · Modernity · Nothing · Visual arts · History · Irish and British Studies · Literature: history, themes, analysis · Philosophy · Poetry Analysis and Criticism
| Highly cited | No |
|---|