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New Woman

Bibliographic Data

ID12411894
AuthorsRiya Das (0000-0003-0540-9326, Prairie View A&M University, corresponding author)
Year2023
Volume51
Issue3
Pages463-466
Publication date2023-01-01
Open AccessYes
TypeARTICLE
VenueVictorian Literature and Culture (JOURNAL)
Journal identifiersISSN: 1060-1503 • E-ISSN: 1470-1553
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1060150323000098
OpenAlexW4386810214
LanguageEN

The ideal of the British New Woman, variously representing feminist, activist, fashion reformer, and writer, has been the subject of renewed critical interest since the late twentieth century. Although symptomatic of its situation in the fin de siècle, which “names those things that were never quite assimilated into the high-Victorian moment,” since the 1980s the New Woman has transcended its polemical Victorian conceptualization to represent “prequels to modernism as well as sequels to Victorianism.” As Sally Ledger has argued, the New Woman, despite being largely a “discursive phenomenon,” was nonetheless historically significant and central to late Victorian literary culture

Aesthetics · Art · Art history · Conceptualization · Epistemology · Fin de siecle · Ideal (ethics · Ledger · Literature · Modernism (music · New Woman · Phenomenon · Political science · Sociology · Subject (documents · Contemporary Literature and Criticism · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Law · Philosophy · Thomas Hardy Literature Studies

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