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Cultural Studies as Performative Research in a Digital Age

Bibliographic Data

ID12416748
AuthorsCaroline Stockman (0000-0002-4909-148X, corresponding author), Frederik Truyen (0000-0001-6291-3663), Fred Truyen
Year2014
Volume22
Issue2
Pages309-320
Publication date2014-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Review (JOURNAL)
Journal identifiersISSN: 1062-7987 • E-ISSN: 1474-0575
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1062798714000131
OpenAlexW2033779169
LanguageEN
References cited21

This paper aims to explore the nature of digital culture research, and the fitting methodology. Although it is still felt to be a novelty, it is not so different from the more general domain of Cultural Studies. The aim of research for both domains is meaning, or the challenge to understand the dynamics of the encoding and decoding process. Both domains endorse a wide variety of subjects, although typically the concrete methodology of Cultural Studies still remains restricted to qualitative approaches. The question of quantitative data and their analysis is highlighted in digital culture, and we should consider both its opportunities and limitations for the research at hand. In our reflection, Cultural Studies research emerges as a performative enterprise, and this is one of its unique distinctions as a research domain

Cognitive science · Domain (mathematical analysis · Epistemology · Meaning (existential · Novelty · Performative utterance · Process (computing · Sociology · Variety (cybernetics · Computer Science · Digital Games and Media · Mathematics · Multimedia Communication and Technology · Philosophy · Psychology · Social Media and Politics · Social Psychology · Artificial Intelligence

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Citation velocityhistorical
Highly citedNo

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