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Gazing at Fiction in Brussels

Europe as Forgery in David Černý's Entropa

Bibliographic Data

ID12417142
AuthorsLina Zigelyte (University of Rochester, corresponding author)
Year2012
Volume20
Issue1
Pages54-67
Publication date2012-01-04
Open AccessYes
TypeARTICLE
VenueEuropean Review (JOURNAL)
Journal identifiersISSN: 1062-7987 • E-ISSN: 1474-0575
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1062798711000305
OpenAlexW2109011036
LanguageEN
Citations received1
References cited16

This article explores issues of visual representations and the interaction between fiction and reality in the making of the ‘idea of Europe’. It specifically focuses on David Černý's installation Entropa, exhibited at the headquarters of the Council of the European Union in 2009. The article argues that, despite the use of national stereotypes as the most characteristic representational element of the installation, Entropa does not limit itself to a sardonic critique of a political institution and a ridicule of national identities. Rather, it unveils the uneasiness of facing European identity as fiction. Entropa challenges the boundary between theatricality and reality, because it is exhibited in a political institution. The installation is addressed as a narrative of confusion, where fiction and fact interact in the construction of ideas on Europe, its history, politics, and culture. Therefore, the article concludes, such interaction potentially accommodates a critical standpoint towards the idea of Europe itself

Aesthetics · Art · Confusion · Element (criminal law · European union · Identity (music · Institution · Literature · Media studies · Narrative · Political science · Politics · Psychoanalysis · Sociology · Balkans: History, Politics, Society · Cyprus History, Politics, Society · European Cultural and National Identity · Law · Psychology

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Citations per year0.2
Citation span2021 - 2021 (1)
Highly citedNo

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