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A Bridge between Art and Philosophy

The Case of Thomas Hobbes

Bibliographic Data

ID12418145
AuthorsQuentin Skinner (Queen Mary University of London, corresponding author)
Year2022
Volume30
Issue5
Pages627-638
Publication date2022-03-03
Open AccessYes
TypeARTICLE
VenueEuropean Review (JOURNAL)
Journal identifiersISSN: 1062-7987 • E-ISSN: 1474-0575
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1062798722000059
OpenAlexW4220860964
LanguageEN
Citations received3

The leading question raised by the rhetoricians of classical antiquity was how to speak with maximum persuasive force. You must find the means, they answered, to enable your readers to see what you are arguing. This initially gave rise to a preoccupation with visual metaphors and other so-called figures of speech. Much later, with the development of the printed book, this also led to the practice of inserting actual figures into books to provide visual summaries of their arguments. Here, one pioneer was Thomas Hobbes, and this article offers an interpretation of the frontispieces he included in his two main works of political philosophy, De cive and Leviathan . The moral Hobbes aims to convey is that we have no alternative but to submit to the protecting power of the sovereign state if we wish to live in security and peace

Aesthetics · Art · Bridge (graph theory · Epistemology · Interpretation (philosophy · LEVIATHAN (cipher · Linguistics · Literature · Political philosophy · Political science · Politics · Power (physics · Sovereignty · State (computer science · State of nature · Wish · Computer Science · Law · Philosophy · Political Theology and Sovereignty · Seventeenth-Century Political and Philosophical Thought · War, Ethics, and Justification

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    Open Access•Vladimir Brodskiy•Sociology of power•2023

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Citations per year1
Citation span2023 - 2025 (3)
Highly citedNo

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