Song of the Ovsîanka

Enhanced Nature of the Urban Canary in Imperial St. Petersburg (1880–1900)

Bibliographic Data

ID12418459
AuthorsOlga Petri (0000-0002-5841-2863, Department of Geography, Cambridge University United Kingdom, corresponding author)
Year2019
Volume29
Issue5-6
Pages613-637
Publication date2019-11-13
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSociety and Animals (JOURNAL)
Journal identifiersISSN: 1063-1119 • E-ISSN: 1568-5306
PublisherBrill (PUBLISHER • NL)
DOI10.1163/15685306-00001755
OpenAlexW2983829922
LanguageEN
Citations received3
References cited26

This article explores a stylized version of “natural” birdsong as an element of the soundscape of a historical city, late-nineteenth-century St. Petersburg. From 1880 to 1900, canaries were brought to the city in great numbers from hatcheries located in the Russian countryside. Their song was the ovsîanka , a mix of melodies acquired from wild Russian birds. This song reflects “enhanced nature,” linking human intentionality to the agency of a nonhuman animal, the canary, and both to the city. Breeders, merchants, keepers, and birds formed a super-urban assemblage spanning the city and the countryside. Canaries, like human migrants flooding to the city during this time, retained their strong village roots, and their urban role depended on them. In this super-urban assemblage, the canaries’ urban performance was an expression of their modified and contextual agency, though their agency was assembled and authorized by human-nonhuman networks engendered by the city

Agency (philosophy · Archaeology · Assemblage (archaeology · Geography · Metropolitan area · Social science · Sociology · St petersburg · Culinary Culture and Tourism · Folklore, Mythology, and Literature Studies · Geographies of human-animal interactions

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