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Mnemonic Representation of Posthistorical Experience in Contemporary Chinese Fictional Histories

Bibliographic Data

ID12422357
AuthorsJie Lu (0000-0003-3659-1175, corresponding author)
Year2001
Volume10
Issue27
Pages253-273
Publication date2001-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Contemporary China (JOURNAL)
Journal identifiersISSN: 1067-0564 • E-ISSN: 1469-9400
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10670560120045733
OpenAlexW2100899338
LanguageEN
References cited17

This paper examines how memory is used as a representational paradigm and transgressive aesthetic strategy in three fictional histories (Ge Fei's Marginality , Su Tong's 'Nineteen Thirty-four Escape' and Qiao Liang's 'The Mourning-flag') to rewrite Chinese historical past. The paper argues that contemporary preoccupation with memory and history in literary writings should be seen in a broader sociohistorical context as both reflecting and contributing to the posthistorical experience of contemporary China. The Chinese posthistorical experience is defined here as a profound crisis of Chinese Marxist historicism effected by the rupture between the Marxist philosophy of history and contemporary Chinese reality of uneven development towards modernization. The current obsession with memory and past should also be viewed as part of the rise of historical investigation of the dispossessed social groups such as ethnic groups, women, and social minorities

Aesthetics · Art · China · Context (archaeology · Ethnic group · Historicism · Linguistics · Literature · Marxist philosophy · Mnemonic · Modernization theory · Political science · Politics · Representation (politics · Sociology · Transgressive · Anthropology · China's Ethnic Minorities and Relations · Chinese history and philosophy · History · Hong Kong and Taiwan Politics · Law · Philosophy

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Citation velocityhistorical
Highly citedNo

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