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Tweets and Memories

Chinese Censors Come after Me. Forbidden Voices of the 1989 Tiananmen Square Massacre on Sina Weibo, 2012-2018

Bibliographic Data

ID12422653
AuthorsRegina Wai-man Chung (The University of Hong Kong, Hong Kong), King-Wa Fu (0000-0001-8157-5276, The University of Hong Kong, Hong Kong, corresponding author)
Year2021
Volume31
Issue134
Pages319-334
Publication date2021-06-28
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Contemporary China (JOURNAL)
Journal identifiersISSN: 1067-0564 • E-ISSN: 1469-9400
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10670564.2021.1945742
OpenAlexW3175974558
LanguageEN
Citations received3

Instead of focusing on the regime’s control mechanism, this study identified a group of Chinese netizens who, despite being well aware of media censorship, posted on social media to commemorate the 1989 Tiananmen Square Massacre annually. Drawing on the concepts of ritualization and social signalling, 1,256 censored Sina Weibo posts published on June 1–4 between 2012 and 2018 were analysed and thematically classified into five categories: collective narratives and counter-discourse, remembrance, condemnation, citizen reporting, and response to current political suppression. The authors argued that tweeting and being censored have paradoxically become a ceremonial ritual for Chinese netizens. By posting serious, playful, and satirical messages, Chinese netizens send costly signals to express dissatisfaction toward the country’s problems

Art · Censorship · Literature · Media studies · Narrative · Political science · Politics · Social media · Sociology · China's Socioeconomic Reforms and Governance · Hong Kong and Taiwan Politics · Law · Vietnamese History and Culture Studies

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Unique citing works3
Citations per year1,5
Citation span2024 - 2026 (3)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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