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Challenging Some Misconceptions about the Règle de l’octave

Bibliographic Data

ID12423569
AuthorsPatrice Nicolas (Université de Moncton, corresponding author)
Year2019
Volume25
Issue4
Publication date2019-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMusic Theory Online (JOURNAL)
Journal identifiersISSN: 1067-3040 • E-ISSN: 1067-3040
PublisherSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.25.4.5
OpenAlexW3008753554
LanguageEN
Citations received1
References cited8

In this paper, I use Rameau’s contradictions as a basis for my defense of the règle de l’octave. I also challenge certain misconceptions about the règle in current scholarly literature, notably its alleged harmonic incompleteness and stepwise motion requirement, while asserting some of its rarely discussed uses and properties

French Literature and Poetry · Historical and Literary Studies · Musicology and Musical Analysis

  • « L’Amphibie » de François Couperin ou Abrégé des lieux communs les plus utiles pour l’improvisation et la composition

    Patrice Nicolas•Musurgia•2021

  • Rameau, Jean-Philippe

    G Sadler, Thomas Christensen•The new Grove dictionary of music…•2001

  • The "Règle de l'Octave" in Thorough-Bass Theory and Practice

    Thomas Christensen•Acta Musicologica•1992

  • Music in the Galant Style

    Robert O Gjerdingen, Robert Gjerdingen•Music in the Galant Style•2007

  • The Realization of Partimenti

    Giorgio Sanguinetti•Journal of Music Theory•2007

Unique citing works1
Citations per year0,2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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