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From Dance Bars to the Streets”

Moral Dispossession and Eviction in Mumbai

Bibliographic Data

ID12423591
AuthorsChaitanya Lakkimsetti (corresponding author)
Year2016
Volume24
Issue1
Pages205-230
Publication date2016-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
Venuepositions asia critique (JOURNAL)
Journal identifiersISSN: 1067-9847 • E-ISSN: 1527-8271
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/10679847-3320113
OpenAlexW2292688270
LanguageEN
Citations received2
References cited8

Recent debates around bar dancing in Mumbai shed light on the connection between class, space, and intimate labor in a global city. Dance bars emerged as morally suspect spaces alongside the decline of Mumbai as an industrial city and its development as a global financial and entertainment capital. For a brief period, women bar dancers were able to make a living in the peripheral spaces that opened up during Mumbai's transformation into a global city, but their livelihoods were undercut when they were banned in 2005 as a “moral threat” to the city. The author argues that central to the moral hysteria around bar dancing was the perception that bars were places where cash was hypervisible. The uneasy and contradictory relationship between unregulated and “unproductive” cash and “productive” capital was highly visible in the debates around the ban. The control of space required to make Mumbai a global city also created conditions of material and moral dispossession for poor and working-class women. Courtroom arguments on the ban had greater implications for the fate of people disposed by the ban and living in the “shadow spaces” of the city's margins

Art · Capital (architecture · Dance · Entertainment · Eviction · Political science · Sociology · Visual arts · Law · South Asian Cinema and Culture · South Asian Studies and Diaspora · Urban Planning and Governance

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Unique citing works2
Citations per year1
Citation span2024 - 2025 (2)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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