Behind Global Spectacle and National Image Making
Bibliographic Data
| ID | 12423830 |
|---|---|
| Authors | Dai Jinhua (corresponding author) |
| Year | 2001 |
| Volume | 9 |
| Issue | 1 |
| Pages | 161-186 |
| Publication date | 2001-02-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | positions asia critique (JOURNAL) |
| Journal identifiers | ISSN: 1067-9847 • E-ISSN: 1527-8271 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/10679847-9-1-161 |
| OpenAlex | W1517593091 |
| Language | EN |
| Citations received | 16 |
Translated by Jonathan Noble
Computer vision · Image (mathematics · Political science · Spectacle · Cinema and Media Studies · Computer Science · Italian Fascism and Post-war Society · Law
Transnational Criticism and Asian Immigrant Literature in the U.S.
Chinese Entertainment Industry, the Case of Folk Errenzhuan
China's Confucius Institutes and the 'Necessary White Body
Chinese Bodies that Matter
Media events or media stories
Politics at the Local–Global Intersection
Constructing the Hero
Linguistic tools of empowerment and alienation in the Chinese official press
Intercultural communication
Seeing red’
The mature limited access order at the doorstep
Me and the dragon
Traditional opera consumption as the new game of distinction for the Chinese middle class
Back to the future
Socialist emulation in China
Cosmopolitanism and Nationalism in Shanghai Sports
| Unique citing works | 16 |
|---|---|
| Citations per year | 0,64 |
| Citation span | 2001 - 2022 (22) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 16 |