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Pop Tarts (Photographic Portfolio)

Bibliographic Data

ID12424406
AuthorsViệt Lê, Viet Bac Le (0000-0002-7267-6750, corresponding author)
Year2012
Volume20
Issue3
Pages877-883
Publication date2012-08-01
Open AccessNo
TypeARTICLE
Venuepositions asia critique (JOURNAL)
Journal identifiersISSN: 1067-9847 • E-ISSN: 1527-8271
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/10679847-1593528
OpenAlexW2081507937
LanguageEN

In contemporary Viet Nam, China, and Korea (among other Asian countries), popular cultural production has opened up new modes of transnational subjectivity, questioning the boundaries of community, identity, and identification. How are national and consumer desires linked? Boy bands such as Fahrenheit and Super Junior and male pop stars such as Jay Chou, Lam Truong, and Wang Lee Hom have cultivated international followings of screaming fans. The boy bang/gang band project consists of (campy?) images of faux pan-Asian boy bands and solo performers in various guises and costumes, examining the borders of spectacle, (homoerotic) desire, translation, audience, and affect

Aesthetics · Art · China · Identity (music · Linguistics · Media studies · Political science · Screaming · Sociology · Spectacle · Subjectivity · Visual arts · Asian Culture and Media Studies · Gender Studies · History · Hong Kong and Taiwan Politics · Japanese History and Culture · Philosophy · Psychology

Highly citedNo

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