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From Space to Location

Bibliographic Data

ID12424569
AuthorsMoinak Biswas (corresponding author)
Year2017
Volume25
Issue1
Pages9-28
Publication date2017-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
Venuepositions asia critique (JOURNAL)
Journal identifiersISSN: 1067-9847 • E-ISSN: 1527-8271
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/10679847-3710288
OpenAlexW2588625138
LanguageEN
Citations received1
References cited2

This article considers a possible logic of evolution in Indian cinema, which rests on the movement from space as stage of action, imbued with value, to a multiplication of secularized intermediary spaces. The encounter with the city—a defined geography and grid—made its own contribution to this process of narrative rationalization. At the same time, that encounter also released the impulse of pure recording and description, at odds with the narrative propulsion. The article places this logic in relation to the demise of the mass film in contemporary times, and it attempts to read the treatment of space in Indian cinema in relation to the location of film production itself

Aesthetics · Art · Demise · Epistemology · Literature · Media studies · Movie theater · Narrative · Political science · Rationalization (economics · Relation (database · Sociology · Visual arts · Cinema and Media Studies · Computer Science · Law · Philosophy · South Asian Cinema and Culture · Walter Benjamin Studies Compilation

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    Shubham Shivang•South Asian Popular Culture•2024

  • Early Cinema

    Donald Crafton, Thomas Elsaesser et al.•SubStance•1992

  • GlobalTranslatio

    Emily Apter•Critical Inquiry•2003

Unique citing works1
Citations per year0,5
Citation span2024 - 2024 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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