Setting up Shop in Nullity
Protest Aesthetics and the New “Situationism”
Bibliographic Data
| ID | 12425288 |
|---|---|
| Authors | Richard Day (0000-0003-0779-8484, corresponding author) |
| Year | 2007 |
| Volume | 29 |
| Issue | 2-3 |
| Pages | 239-260 |
| Publication date | 2007-03-30 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Review of Education Pedagogy & Cultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 1071-4413 • E-ISSN: 1556-3022 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10714410701199355 |
| OpenAlex | W2057390454 |
| Language | EN |
| Citations received | 3 |
Setting up shop in nullity is the cultural solution that has been most visible in the years following World War II. This solution includes two possibilities, each of which has been abundantly illustrated: dissimulating nothingness by means of an appropriate vocabulary, or openly flaunting it. —Guy Debord, “Report on the Construction of the Situationist International” (1957)
Aesthetics · Art · Epistemology · Linguistics · Nothing · Situationism · Sociology · Vocabulary · Communism, Protests, Social Movements · Philosophy
| Citations per year | 0.17 |
|---|---|
| Citation span | 2008 - 2014 (7) |
| Highly cited | No |