You Turn Me into Nothing”
Reformation of Queenship on the Jacobean Stage
Bibliographic Data
| ID | 12427677 |
|---|---|
| Authors | Gaywyn Moore (University of Kansas, corresponding author) |
| Year | 2013 |
| Volume | 21 |
| Issue | 1 |
| Pages | 27-56 |
| Publication date | 2013-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Mediterranean Studies (JOURNAL) |
| Journal identifiers | ISSN: 1074-164X • E-ISSN: 2161-4741 |
| Publisher | The Pennsylvania State University Press (PUBLISHER) |
| DOI | 10.5325/mediterraneanstu.21.1.0027 |
| OpenAlex | W467131746 |
| Language | EN |
| Citations received | 2 |
Henry VIII's divorce of Katherine of Aragon and execution of Anne Boleyn mark the beginning of the English Reformation and a substantial alteration of the queen consort role. Early modern plays that feature Henry VIII's queens, such as Samuel Rowley's When You See Me, You Know Me and William Shakespeare and John Fletcher's King Henry VIII, focus on the transition from a medieval to an early modern notion of queenship and represent the dismantled position of the queen consort in early sixteenth-century England. They also highlight the unstable and reduced position that future English queens would inherit
Ancient history · Art · Art history · Epistemology · Henry IV, Holy Roman Emperor · Literature · Nothing · Performance art · Position (finance · Queen (butterfly · Classics · Historical Art and Culture Studies · History · Irish and British Studies · Philosophy
| Citations per year | 0.25 |
|---|---|
| Citation span | 2018 - 2024 (7) |
| Highly cited | No |