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Pleasantville

The Suburb and Its Representation in American Movies

Bibliographic Data

ID12438528
AuthorsDouglas Muzzio (0000-0002-3333-0554), Thomas Halper (Baruch College)
Year2002
Volume37
Issue4
Pages543-574
Publication date2002-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueUrban Affairs Review (JOURNAL)
Journal identifiersISSN: 1078-0874 • E-ISSN: 1552-8332
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/10780870222185469
OpenAlexW1971016289
LanguageEN
Citations received8
References cited32

The authors study the representation of the U.S. suburb projected by movies and trace the development of these suburban images from the early movies of a century ago through the 1990s, noting how films have influenced and reflected public discourse on suburbs. Suburbs have evolved, becoming more varied and complex, more self-sufficient and more interdependent, the dominant mode of U.S. residential living, and the most widely embraced path to the “good life.” Yet postwar intellectuals have long dismissed the bourgeois utopia as inauthentic consumption centers and conformity factories. Moviemakers have taken these critiques to heart, initially with friendly satires and later with aggressive, often vicious attacks

Aesthetics · Art · Art history · Bourgeoisie · Conformity · Consumption (sociology · Interdependence · Political science · Social science · Sociology · Utopia · Cinema and Media Studies · Gambling Behavior and Treatments · History · Law · Media, Gender, and Advertising · Philosophy

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Unique citing works8
Citations per year0.38
Citation span2005 - 2023 (19)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 8

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