Confessions of a Hindu-Catholic Artist
Bibliographic Data
| ID | 12444912 |
|---|---|
| Authors | Caroline Mackenzie (1Bangalore, Karnataka, India, corresponding author) |
| Year | 2008 |
| Volume | 12 |
| Issue | 1-3 |
| Pages | 164-185 |
| Publication date | 2008-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Religion and the Arts (JOURNAL) |
| Journal identifiers | ISSN: 1079-9265 • E-ISSN: 1568-5292 |
| Publisher | Brill (PUBLISHER • NL) |
| DOI | 10.1163/156852908x270999 |
| OpenAlex | W2036324562 |
| Language | EN |
During my first twelve years in India I studied Hindu art and philosophy, encountering "inculturated" Catholic Christianity for the first time. When I returned to the United Kingdom, I was struck by a manifest separation between the dry, orderly church, and the imaginative world of "New Age" networks such as Dances of Universal Peace. In 1999 I received a major commission to re-design a church in Wales. This opening allowed me to use art as a means to bring some of the insights gained in India into a Western Christian context. After this public work, I made a series of personal pictures that depicted the healing and empowering effect of the new public images (archetypes) on my inner world. I then tried to connect the work in the church to liturgy but found no opening in the UK. In 2003, I returned to India to the Fireflies Intercultural Centre in Bangalore. There I found a "laboratory of the spirit" that provided the right conditions for serious religious experimentation. In 2007, I found a way to express the vision of the artwork in the Welsh church via an embodied liturgy. Using masks representing the Elements, I worked with an Indian Catholic priest to create a cosmic Easter Triduum
Archaeology · Art · Christianity · Context (archaeology · Hinduism · Liturgy · Sociology · Theology · Visual arts · Welsh · Historical and Architectural Studies · History · Indian History and Philosophy · Philosophy · Religious studies · Religious Tourism and Spaces · Religious Studies
| Highly cited | No |
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