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To Be or Not To Be?”

Hamlet and Tyrannicide

Bibliographic Data

ID12445229
AuthorsNicole M Coonradt (0000-0003-3385-4208, corresponding author)
Year2021
Volume25
Issue3
Pages243-262
Publication date2021-06-21
Open AccessNo
TypeARTICLE
VenueReligion and the Arts (JOURNAL)
Journal identifiersISSN: 1079-9265 • E-ISSN: 1568-5292
PublisherBrill (PUBLISHER • NL)
DOI10.1163/15685292-02503001
OpenAlexW3188486218
LanguageEN
References cited2

This essay considers Shakespeare through Aristotelianism and Thomism to explore Hamlet as a meditation on tyranny. Based on the classical model of tragedy as presented by Aristotle in his Poetics and further informed by his Ethics and Politics , the essay identifies the climax of the play in order to determine the playwright’s argument about what should have happened instead of what did—namely, the hero should have removed the tyrant Claudius when given the opportunity at Act 3, Scene 3. Shakespeare is deliberately and successfully upending the Aristotelian model, while yet fulfilling its definitions and expectations. The claim is further supported by Aquinas’s six conditions for the right use of anger and vengeance as found in his Summa Theologica . Hamlet’s choice not to act is highly significant—and ironically Shakespearean. The play’s treatment of tyranny may have been a call to action for Shakespeare’s contemporary audience

Action (physics · Aesthetics · Argument (complex analysis · Art · HAMLET (protein complex · HERO · Literature · Meditation · Order (exchange · Poetics · Poetry · Political science · Politics · Theology · Tragedy (event · American Constitutional Law and Politics · Islamic Studies and History · Law · Philosophy · Seventeenth-Century Political and Philosophical Thought

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Highly citedNo

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