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Apollinaire's “Zone,” Catholicism, and the Paradox of French Modernity

Bibliographic Data

ID12445340
AuthorsAnca Mitroi (1Brigham Young University, corresponding author)
Year2009
Volume13
Issue2
Pages205-217
Publication date2009-01-01
Open AccessNo
TypeARTICLE
VenueReligion and the Arts (JOURNAL)
Journal identifiersISSN: 1079-9265 • E-ISSN: 1568-5292
PublisherBrill (PUBLISHER • NL)
DOI10.1163/156852909x422728
OpenAlexW2019914946
LanguageEN

Since at least the Enlightenment and the French Revolution, modernity in France has been understood primarily in terms of a rupture with Catholicism. Through a close reading of the poem “Zone,” this article shows how Guillaume Apollinaire's poetics challenges the conventional notion of modernity-as-rupture by exposing Catholicism's persistent residuality into the modern era. Instead of breaking with France's Catholic past, Apollinaire's modernism poetically displaces it, thereby holding in suspension both modernity's desire for rupture and the object with which it seeks to break

Art · Art history · Enlightenment · Epistemology · Literature · Modernism (music · Modernity · Poetics · Poetry · Reading (process · Theology · French Literature and Criticism · French Literature and Poetry · Historical Studies and Socio-cultural Analysis · Philosophy

Highly citedNo

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