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Debasing the Deity

The Material Culture of Hinduism

Bibliographic Data

ID12445345
AuthorsRina Arya (1 University of Huddersfield UK Huddersfield, corresponding author)
Year2020
Volume24
Issue5
Pages588-603
Publication date2020-12-16
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueReligion and the Arts (JOURNAL)
Journal identifiersISSN: 1079-9265 • E-ISSN: 1568-5292
PublisherBrill (PUBLISHER • NL)
DOI10.1163/15685292-02405006
OpenAlexW3114960294
LanguageEN
Citations received3

This article considers cases in the media of the cultural appropriation of Hindu symbols by Western fashion designers. Hinduism has a rich tradition of visual and material culture and designers are attracted to the aesthetic and symbolism of Hindu imagery. This has led to protests by Hindu groups who have objected to the uses to which their religion has been put. This article addresses the issues that have caused offence as a way of understanding what is sacred to the aforementioned group and of establishing greater understanding about what is deemed to be acceptable

Aesthetics · Appropriation · Art · Epistemology · Hinduism · Sociology · Fashion and Cultural Textiles · History · Indian History and Philosophy · Philosophy · Religious studies

  • Is It Ethical? The Appropriation of the Islamic Call to Prayer in Adeline Wong’s Jalinan for String Quartet

    Open Access•Mohd Fairuz Zamani•Resonancias Revista de…•2026

  • Self-Authorization Amid Transculturation and Appropriation

    Open Access•Xinghe Yan, Wendy Weile Zhou et al.•Global Media and China•2026

  • Cultural appropriation

    Open Access•Rina Arya•Sociology Compass•2021

Unique citing works3
Citations per year0,6
Citation span2021 - 2026 (6)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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